TOYChallenge

California Aquatics, Alakazam!, East County Electric Shock, Flying Pigs, DC Chicks, AshJenMagCor-poration – what do these somewhat cumbersome and quirky names have in common? They were all participants in Saturday’s TOYChallenge Western Regional competition, held at the San Diego Aerospace Museum in Balboa Park. I hope that they all Google their names and find our site! I just tried to find some updated information about the results of the competition, but the TOYChallenge site hasn’t been updated yet and Reuters hasn’t seen fit to cover this exciting event as of yet, so you’ll hear about it first on the LATDA blog!

Thanks to David Hoffman and Brenda Wilson and Kristen Greenaway at Sally Ride Science, Blue and I were able to meet with some very bright and promising stars in the future of toy design. Well, maybe they won’t all become toy designers, but it was heartening to see enthusiasm, creativity, humor, and work ethic in the next generation.

The day started out EARLY as we arrived at the SD Aerospace Museum at 8:45. Judging didn’t begin until 10, but we needed to get oriented and paired up in teams. I was partnered with David. There were 18 judges hailing from diverse backgrounds, but weighted heavily on the science/academic side. Hasbro and Sony (another corporate sponsor) contributed a few judges, and there were two young engineering (I think) students. We were never formally introduced to one another, but my impression was that there were not as many judges who were representing the ‘toy’ side of the competition.

Since we arrived so early, we took the opportunity to wander around anonymously and check out the projects being set up. For the most part it was like a typical science project fair, with the obligatory tri-panel cardboard backdrops peppered with Word-generated graphics. But here and there you could pick out the kids who were market-savvy because they had laptops playing commercials, matching outfits and buttons saying things like ‘Ask me about____!’

The judging was split amongst nine teams. Each team was given about twelve projects to assess. Each project was viewed by two sets of judges. The projects were divided into four categories: Robots/Build It; Get Out and Play; Toys that Teach; and Games for the Family. Originally there were seven categories, but due to the spread of the projects received, they consolidated some of them. Our task was to choose two of the best projects to go to Hasbro to compete with two of the best from the East Coast Regional. We were also looking for Best in Category and Honorable Mention in Category.

With two hours to judge the first round, it gave us about ten minutes per project, a restriction that David and I found extremely difficult to adhere to (the judge nazis kept coming around to tell us we were taking too long). We were so interested in listening to these kids talk about their creative process that we tended to take too long. We only saw designs in the Games for the Family Category.

After the first round, the judges were gathered in a room to eat Subway sandwiches and hash out their favorites. Some of us relied on memorable conversations with the kids to make decisions, while others actually gave numerical values to criteria and chose their top contenders by the numbers. After the first round of favorites was listed on a board, each nominee had an advocate present a case. This is where it got interesting. There was a split between people who were attracted by projects that were technically sophisticated in design and execution and those who were impressed by originality of concept and process. It was clear that there was a difference in the process it took to create a mechanically sophisticated object and a board game, but it was not clear how to rate them in the same way. One of our (LATDA’s) concerns was also how fun was the toy? Would kids really want to play with it?

We decided that each of the groups that had made it to the final board deserved another look, especially so the teams who had not seen the finalists in their section could vote with authority.

Those of us who were there as ‘toy advocates’ seemed to have different opinions than those who were there from the science or even toy marketing side. But eventually, it seemed that everyone was satisfied with the recognition of a wide range of projects.

There was one dicey moment when one of the projects that Blue and I had lobbied for was inadvertently not named as the Honorable Mention in the Games for the Family winner. I had to fight my way to the stage and insure that they were properly recognized. (whew)

Since the East Coast Regional has not taken place yet (May 7), I won’t mention the winning projects here. But I would like to highlight some of those who participated but didn’t win the big prizes…

 One board game dealt with foods of the world. It was essentially a trivia game where the object of the game was to answer questions about food of various countries. In order to win it you had to be familiar with at least a food from every continent of the world. That they had included the Philippine delicacy ‘balut’ in their questions grabbed my attention (although they had incorrectly identified its contents – I am quite well acquainted with balut; but that’s a story for another time.) They also had a very clever solution to extending the life of the game, but I’m not going to reveal it in case they end up taking it to market – even though they were not one of the finalists.

 Another game had the catchy name “The Gift of Humiliation”. This was one game that we could actually see ourselves playing. Unfortunately it was dubbed ‘a slumber party game’ (which seemed to delegate it to a girl’s toy and too exclusive), but what was appealing is the fact that it required coordinated motor skills on a team level along with humor.

 A popular movie provided the inspiration for another game. At first glance this seemed to be a rash decision, since such a project involves copyright issues, but when we questioned the team, they had thought of this and obtained permission to use the images and names in their game – a fact that impressed the judges very much. This team was infectiously enthusiastic and of all the board games there, we could imagine many of the kids wanting to actually play it.

 Of all the outdoor toy projects, our favorite was one that had started off as a huge floating bird pool toy. It ended up as a minimalist water-version of the Mad Hatter’s teacup ride. It looked like a lot of fun, although the prospect of making oneself dizzy and close to barfing in a pool might not be a great idea.

I wish that we could be at the East Coast Regional just to extend the experience of being surrounded by young creative energy. We would like to heartily endorse this competition for next year. There seemed to be a preponderance of home-schooled groups entering the competition. If public schools were to take this on as a final class project for extra credit it could prove a valuable life-skills experience in design and critical thinking. Not to mention the potential for fun (although a lot of the projects seemed to pander towards the educational/science theme). College students interested in education could mentor a group as a project.

When LATDA finds a home, we would hope to host a future TOYChallenge. We’d better start looking for a big home because TOYChallenge has the potential to grow in the coming years.

Look for more thoughts on this blog about TOYChallenge...I'm still digesting...

Jocko in Buzz Cuts

One of our members contacted us to say that our Jocko has appeared in the May issue of Los Angeles Magazine (guess I should have renewed my subscription on time). Sure enough, on page 26 you can see his cheerful visage on our 'collectible' button. And the power of the media is not lost on us... we've attracted a new member (more to follow, we hope!) and sold some buttons and t-shirts.

Speaking of web sites, we recently changed servers - or our server changed something. At any rate, we'd like to thank CNCPRO in Glendale (and specifically Dennis Lem) for donating server space to our museum for the past two years. We are still working out the bugs in the transfer. It's like any kind of move - you can't find stuff right away. We couldn't find the blog for days.

Sunday was the last day of "Dream Parks" and we are suffering from not a little post-partum depression. Still looking for a next venue, which would decide whether or not the next show will be one on dolls, sock monkeys, or art toys. If any of you out there have a preference in what you'd like to see first, let us know! Of course it could be that our next show will be something completely unexpected, like "Dream Parks". We are nothing if not flexible.

Other interesting news: David Hoffman, author of "Kid Stuff" and "The Easy-Bake Oven Gourmet" has been a great supporter of LATDA for the past year. Through his connections, LATDA officers (Blue and I - as well as David)will be participating as judges for the TOYChallenge Western Regionals. You can read more about TOYChallenge on their web site, but in short, it is co-sponsored by Sally Ride Science and Hasbro. Their mission: to introduce kids from grades 5-8 to the engineering and the design process of toy design. This year the western regional has 55 teams and over 720 people competing, from all over the western half of the US. The competition takes place on April 30. We can't wait to see what's cooking in the heads of these kids and will be reporting what we see on this blog. Stay tuned.

Trip to Toy Town

Today I did something I always wanted to do – explored the district adjacent to downtown L.A.'s skid row, euphemistically called “Toy Town”. I say ‘euphemistically’ because there are precious few toy wholesalers in the area. Every other open-front store space sells car fragrances, bad resin statuary, Rock Star Beer and Red Bull, or hair accessories and keychains. Underlying the pervasive apple candy smell was the occasional wafting of raw sewage and vinyl.

Found some amazing cheap toys from China designed for who-knows-what-market. The best one was the "Electromotion Dung Beetle". It was a plastic insectile creature about the size of a baseball cap with wings decorated with letters of the alphabet (why?) and wearing tennis shoes. When turned on, its eyes flashed, its wings spread, exposing his guts which appear to be full of churning, colored, plastic sand. But that's not all -- it had a sound system that blared out some bad electronic Chinese pop music (complete with vocals) as it ran across the floor, legs a-pumping. An incredible number of features were thoughtlessly crammed into that one toy.

The box had lots of interesting sell copy - 'All new items, it cannot be missed!' 'Toy series with strong sense for playing!' and my favorite, 'The unlimited bout between technology and strength!' I didn't buy one because they wanted to charge me the full retail price of $4 instead of the wholesale price they quoted me first of $2.25.

Bought a few other toys that must have been designed by people smoking crack or inhaling too many toxic vinyl fumes. It is unbelievable that these toys go through an entire manufacturing process only to wind up....well, I don't know where. These are toys that never see the inside of any local toy retailers, if I can believe the woman I queried. She said that most of her big customers were out-of-state, Canadian or other international buyers (Mexico?) Interestingly, every outlet had a Chinese shrine and Mexican employees. The more enlightened owners were rattling off directions in Spanish. Others made do with both sides speaking halting English.

Almost everything I bought cost a dollar…but I suspect if I purchased in bulk the price would have dropped considerably. There was a series of simply designed pull-string friction toys that were the most, well, original. One looks like a Sphinx but with the body of a fish, the head of a girl with two arms extended around a dolphin attached by its fin, to her chest. A yellow and pink ‘lotus’ grows out of her back. When the string in her nether region is pulled, she is propelled forward on two wheels as the flower spins open. It is all rendered in carefully molded pink, yellow, green and flesh-colored plastic, and decorated with randomly designed stickers (the one on the front of the dolphin says ‘289’. If anyone knows the significance of that number in relation to fishy-Sphinxes, contact me immediately).

A similarly engineered toy features a big naked baby in a stroller. It is holding a bottle, but appears to have a small umbrella impaled in its head. Hanging from the umbrella are white dingle balls that spin wildly when the toy moves forward. This bears a sticker of a monkey with a banana peel on its head, and the number ‘209’. (Perhaps these are model numbers?) This toy is actually reminiscent of old tin toys with same enigmatic headgear.

One last item – “2 Funny Gums”. These cleverly designed faux name-brand gum packages have the words ‘Cockroach Mint’ replacing the familiar logo. It is called a ‘chewing gum game’ and bears a warning on the side of each package: ‘Forbidder to affright ill and cowardly person’. When the unwitting dupe pulls on the bogus stick of gum, a rubber cockroach verrr-ry slowly snaps down on his finger. (I think the rubber bug is too big and it takes too long to free itself from the package…)

All of these toys bear tiny warnings of ‘Choking hazard. Not for children under 3 years.’

The knock-off market was enough to make a Disney or Nickelodeon lawyer’s head spin like an impaled umbrella. Some were thinly disguised re-uses of Toy Story character molds, while others were bad versions of SpongeBob Squarepants. Would a child be fooled by a knock-off? Or just as happy with one? And what would a child’s reaction be to receiving a boy doll called, ‘Lovely Child with Cutie Cellular’? I could not stop wondering who buys all these toys? Or whether a child unschooled in irony would appreciate the absurdity of the play value?

Kiss Me Jocko

Sorry, all weekend that song was running through my head..."Another opening, another show..."

Thanks to all of the LATDA supporters who showed up for pinot (grigio not noir) and popcorn at the Noho Gallery last night! It was a festive event drawing people from as far south as Irvine and as far north as Marin. Worlds collided and merged as friends of Harvey Jordan mingled with friends of LATDA. In fact we discovered some very mystical overlaps in the two circles.

Special thanks to Nancy Lane and Zhanna of Color Me Mine for wine and cash register wrangling (as well as gracious hosting); Barbara Kwong (affectionately known as the 'Genius' sister)for her amazing snickerdoodle, chocolate chip, and oatmeal cookies (if you didn't come and taste these, you should kick yourself for an opportunity missed); Harvey Jordan for inviting us to collaborate; Farrah at Duck Soup, Rocky Behr at the Folk Tree, Alex Dong at Lexin Toys, Dave Schylling at Schylling Toys, and Billy Shire at Wacko, for their toy donations and loans; Jay Aldrich, Marilyn Frandsen and Vicky Murakami-Tsuda for their toy loans; and Unkle Dan Kwong for documenting the affair. And thank you to all our friends who fed the monkey with donations and purchased memorabilia all to support our cause - you inspire us to bigger and better future projects!

More thanks to "Team Jocko" - Bev, Blue, Gary for their versatility and ingenuity in preparing everything from popcorn to product up to and after the last minute; and Ron Stroud at JANM for production aid.

Let's do this again real soon! And if you haven't seen the show yet, you have until April 24th! (There may be a test...)

In praise of LATDA's 'Graphics Guy'

By now many of you have received the postcard advertising our most recent show. Whether you have received the real or the virtual card, you will probably recognize the creative hand of Gary van der Steur, who only half-jokingly refers to himself as our 'graphics guy'. We know him as much more (as you will in the future) since he has almost single-handedly created the look and tone of LATDA. Father of Jocko and Jacko, writer of the LATDA theme song (we must be the only museum to have its own theme song - how cool is that?), designer of our official t-shirt, our web site - Gary has really put his heart and soul (and his quirky, edgy mind) into this work. All without monetary compensation, we should add.

If you haven't already linked to his web site through ours, take some time to do so soon. Make yourself comfortable and explore his personal works (he's just finished a new piece called "Moon in the Trees") and marvel that all you see, hear and read comes from one source.

When you've finished listening, laughing and crying, stand up and clap your cymbals together in applause!

Then push one of the donation buttons on our web site so we can start paying the guy someday!

Happy Girl's Day

Last year was the first time in 18 years that I forgot to put up the Ohinasan. We were just coming down from the frenzy of college application deadlines. My mother was having a hip replacement on March 2, so much time was spent driving to and from the hospital, and no one was in the mood to partake in the ritual of unpacking the twelve dolls and assembling the wooden dais. Once I realized I had missed March 3, I guiltily decided to let the dolls slumber for another year in their acid free tissue.

It is my contention that the time from January 1 to April 5 (my birthday) passes faster than the rest of the months of the year. Nearly every day in January is someone’s birthday in my family, and then you have the shortest month. This year was no exception, but there was the added stress of trying to curate and install an exhibition (albeit small) in 21 days. So when I realized last night (really this morning because I went to bed at 1:00 am) that it was Girl’s Day again, I was determined to get up early and set the dolls up – even if it meant being late for work.

For those of you who have no idea of what I am talking about, March 3 in Japan is designated as Hinamatsuri, or the Doll’s Festival. Sometimes it is referred to as Momo-no-Sekku (Peach Blossom Festival) or Girl’s Day (as opposed to May 5 which was known as Boy’s Day when they fly carp kites in celebration). What started out as a Chinese custom of transferring one’s woes to straw dolls and sailing them down a river (away from you) developed into a celebration centered around an elaborate set of dolls representing the Japanese Imperial court. The future of the daughters in the house were attached to the ceremonies and rituals surrounding the display of these dolls once a year. Tea parties involving fancy food preparation were part of a young girl’s training. Superstitions arose from how one honored the dolls. In some regions, keeping the display up longer than three days, meant the daughter(s) of the house would never marry. In other areas, keeping the display up for a month was insurance of marital bliss.

In our family, we had a fairly modest set that was given to my mother at birth. When I was old enough to research such things (and after seeing Shirley Temple’s set at the Museum of Science and Industry) I realized that we seemed to be missing several of the beautiful accessories that are part of the display – lacquered dishes, a palanquin, an orange and peach tree, and two lanterns. Also missing were several musical instruments, the Imperial crowns, and one samurai sword. When I asked my mother about this, she said that she did have all the accessories, but when her family was being sent to one of America’s concentration camps during World War II, her mother threw anything that was overtly symbolic of Japan in the trash. This included the Ohinasan. Fortunately a non-Japanese neighbor witnessed this event and rescued most of the pieces and saved them until my mother’s family returned from Manzanar years later. I later learned that this was the fate of many a Hina doll set belonging to Japanese American families during the war. Some people only threw out the two figures representing the Imperial couple, so many sets are missing those two dolls.

My siblings and I were a little less than reverent when it came to the Ohinasan. While we enjoyed unpacking the mothball scented toys and setting up the lacquered palace, it was not unusual for my mother to walk in and find that we had switched heads around (having discovered that the tiny wooden heads were easy to remove and replace) putting the old bearded samurai head on one of the ladies-in-waiting or something equally hilarious.

As I grew older and more respectful I started to search for replacement parts, but the set was old and of an unusual scale so it was difficult. Over the years my brother and husband have fashioned small instruments and a new sword for the musicians and samurai. I found a crown for sale in a gift store that had old stock. It is a tad ostentatious for the Empress, since it is of a larger scale, but I don’t think she minds much. When LATDA has its first Hinamatsuri exhibit, you can judge for yourself.

Dream Parks, February 21

Save the date! Thanks to one of our members, Harvey Jordan, we are embarking on our second public appearance! This one will be running concurrently with the Lite-Brite display at MONA (see blog entry for 10/17/04) which has been held over until April 3. The new exhibit will take place across town in North Hollywood (not far from the North Hollywood Metro station) on Lankershim Blvd.

The title of the show:
Dream Parks: Artwork and Toys from the Amusement Park Collection and the Los Angeles Toy, Doll, and Amusements Museum.

Are you on our mailing list? Email or snail mail? Postcards and invitations to a reception will be going out shortly. Give us your contact information or stay tuned for details.